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<channel>
	<title>Chandler Abbey</title>
	<link>https://chandlerabbey.studio</link>
	<description>Chandler Abbey</description>
	<pubDate>Mon, 31 Aug 2020 22:33:22 +0000</pubDate>
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		<title>Dog is God</title>
				
		<link>https://chandlerabbey.studio/Dog-is-God</link>

		<pubDate>Wed, 07 Aug 2019 21:06:27 +0000</pubDate>

		<dc:creator>Chandler Abbey</dc:creator>

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Dog is God


  





Artist StatementThe central quality of this collection of images stems from a two-part observation. First, the contemporary individual swims in the ambiguity of a brutal, hastily-assembled world. Second and in contrast, brief moments of light make existence beyond worthy, so all is not bleak. Still, genuine sentiment is often lost in translation, disease creates anxious energy, love is hard to feel, and most desire what will destroy them in the end. I believe that it is unproductive to focus on this darkness for there is a light hidden from the rational mind that lurks in the body and appears in moments of clarity. The images of this book attempt to bottle this light, as well as the shadows it produces. 

The images also catalog, what it is like to be a young man today. With an inconsistent disposition, the photographs interrogate, celebrate, and condemn the difficult and characteristic conventions of machismo, excess, vagrancy, and sexuality within the context of young men in California. 



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Introduction by Katilyn Perry:
Remember, man, that you are dust and to dust you must return. This is the first truth that must reign in our hearts; dust and ashes, corruption and worms, burial and oblivion. Everything passes away: today we are and tomorrow we are gone; today people miss seeing us, tomorrow we are wiped from their hearts. 
&#38;nbsp; &#38;nbsp;— Don Miguel Manara, Discourse on Truth, 1671  

In a tone of curiosity that approaches awe, God is Dog memorializes symbols of the solitary, simultaneously interrupting them with movement and the ephemeral. The series is split between Oregon’s coast, the Mojave desert, Los Angeles, and other quintessential Californian landscapes. Here a fairly obvious tension exists between the urban and the remote: Los Angeles—a place of chaos and smoke—and its quiet, more contemplative surroundings. “The city’s always LA,” Chandler Abbey states in reference to the urban spaces in God is Dog; “all the bad stuff happens in the city, and the more peaceful, solid moments seem to generally happen in a beautiful landscape.” In God is Dog, the Salton Sea and its bleakness, California’s desert scenery, and the rock formations at Joshua Tree National Park are all emphasized to the point of exaltation, serving as reminders of loneliness. Images of the Pacific Ocean and the Kelso Dunes highlight natural grandeur as well as the concomitant suppression and accentuation of what is human. Pictures split evenly between sand and sky dwarf the figures they represent while simultaneously stressing the presence of the individual. One of the book’s early images, Silhouette, engages directly with this idea while artfully challenging a notion of the sublime through Abbey’s inclusion of two silhouetted figures. This image, with its halved composition and allusions to Genesis, serves as a metonym for larger dualities within the series. 

The opening image, Elliot in Scott’s Office, is the series’s earliest photograph, and it depicts Abbey’s younger brother Elliot sitting in his step-grandfather’s office in Walla Walla, Washington. Engulfed in a room of 70’s wood paneling and stuffed pheasants, Elliot is submerged in a specific kind of masculinity, one that Abbey describes as “an odd sort of northwestern showmanship.” The black cowboy hat and glasses, which look somewhat costume-like in the context of this photograph, allude to the performative aspects of masculinity. Elliot also serves as the subject of the subsequent photograph, although instead of taking his place within the office, he emerges shirtless from its dark doorway. In some ways this first pair of images provides an allegory for the rest of the book, in its exploration of the masculine and an interrogation of the self.

God is Dog features 35mm color and black and white film as well as studio portraits shot with a Sony A7R3. The diversity in Abbey’s process mimics the paradoxes that exist within his constructed world of movement and stillness, where the semordnilapic phrase “God is Dog” and its implications of inverse only enhance an aspect of self-contradiction. In addition to landscapes, these photographs include intimately cropped portraits and stilllifes which foreground the importance of the individual  and the banal. Abbey includes sporadic pairs of black and white portraits that interrupt the desolate locations and often frenzied moments of God is Dog. The men in these studio photographs are somewhat feminized through Abbey’s use of glitter and eyeshadow; however, the makeup that collects in their beards and along their jawlines also highlights the features that make them most masculine. By adding a reflectiveness to the subjects’s skin, the makeup evokes something extremely physical in its suggestion of sweat and exertion, be it sexual or otherwise. The omission of color and use of tight cropping in these studio portraits works to elevate and immortalize the subjects. In Sean with Hands, the figure appears Christ-like underneath his cosmetic sheen. His closed eyes and soft lips suggest something saintly and pure whereas his shiny skin and the sensuality of the female hands on his face evoke a fundamental lust.

Abbey questions the materiality of images through his post-photographic treatment, most clearly seen in Self Portrait with Coffee, Salt, Water, and Myrrh. In an act of effacement, one that edges on self-rejection, Abbey obscures his own image by pouring coffee, salt, water, and myrrh onto his printed image. This almost violent gesture alludes to his desire to both capture and erase an image of himself; here, the photographer collapses into the role of subject, yet still remains unrecognizable. Abbey achieves similar effects in his other self portraits that incorporate shadows and mirrors. 

Abbey seeks to capture something ephemeral through focusing on and interrogating manhood, youth, lust, and the environment, all of which are intimately tied to a uniquely Californian ethic. The world of God is Dog is one in which young men indulge and cleanse, yield and abandon. Cannabis clutters kitchen counters, and apartments are littered with cigarettes, pale bodies, and beer. The grime of partying, the dust of excess and oblivion, leaves its residue across the images, and Abbey’s use of blur demonstrates his attempt to capture what is fleeting. In this photobook what is doglike is also holy, and the things we hold sacred often prove destructive and profane.
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		<title>The Subsection of the Eagle</title>
				
		<link>https://chandlerabbey.studio/The-Subsection-of-the-Eagle</link>

		<pubDate>Thu, 08 Aug 2019 20:20:24 +0000</pubDate>

		<dc:creator>Chandler Abbey</dc:creator>

		<guid isPermaLink="true">https://chandlerabbey.studio/The-Subsection-of-the-Eagle</guid>

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The Subsection of the Eagle
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Artist StatementThe Subsection of the Eagle materializes the aesthetic language of intimidation utilized by the U.S. Immigration and Customs Enforcement into a publication and accompanying posters. The publication considers the comprehensive statement the United States makes through their approach towards Latin American immigration. Legislature, fences, vehicles, technology, materials, surveillance, weapons, and the border structures themselves all contribute to the broad vernacular of U.S. southern border affairs.

Descr.The publication contains two formats: 6 ¼’ x 8 ⅓’ glossy within 9’ x 12’ newsprint. The large format pages are digital infrared photographs captured on a Canon 6D, with a Lee 87 red camera filter. Each exposure is 30 seconds, with a high aperture and ISO. The images mimic the cutting edge, incredibly expensive, and military-grade cameras the U.S. Border Patrol utilizes to do their job. The type on the small format pages is put through a simple program to shuffle each sentence, using the complete Secure Fence Act of 2006 as input. While none of the sentences are coherent, the shuffling is meant to instill a sense of confusion, anger, and inaccessibility to the sharp, non-human language of legal prose. Finally, the three centeral spreads are visceral digital paintings, that express the grim, yet not completely devoid of hope, climate of border politics.

R&#38;amp;D: The Aesthetic Language of Intimidation

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FLIR Systems Infrared technology. FLIR is the world’s largest commercial thermal imaging camera and sensor company.&#38;nbsp;












Electromagnetic Spectrum Showing Recorded Wavelengths Between Civilian Infrared Technology And Military Grade Surveillance Equipment
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The graph above is measured in nanometers. The TacFLIR® 280-HD records wavelengths between 3-5 µm or 3000 to 5000 nm (middle wavelength infrared). My LEE 87 infrared camera filter blocks wavelengths below 730 nm, therefore transfering near and shortwave infrared wavelengths to an equiped camera’s sensor. The TacFLIR® 280-HD Imaging System instantaneously reads heat signatures for surveillance while a Canon 6D equipped with a LEE 87 infrared filter requires a 30 second exposure time to record wavelengths on the lower end of the infrared radiation spectrum. Camera’s like the TacFLIR® 280-HD Imaging System are utilized by the United States Border Patrol.&#38;nbsp;

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Lee 87 Camera Filter: ISO 3000, 30s Exposure, Broad Daylight vs. TacFLIR® 280-HD: Night, Instantaneous Video



Gallery


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		<title>Little Flashes of Sun on the Surface of a Cold Dark Se</title>
				
		<link>https://chandlerabbey.studio/Little-Flashes-of-Sun-on-the-Surface-of-a-Cold-Dark-Se</link>

		<pubDate>Thu, 08 Aug 2019 21:16:12 +0000</pubDate>

		<dc:creator>Chandler Abbey</dc:creator>

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Little Flashes of Sun on the Surface of a Cold Dark Sea
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Descr.This publication concerns an in-depth analysis and extrapolation of two images. It pairs a canonical historical photograph with a contemporary image. Both images share fundamental characteristics ranging from aesthetic, to symbolic similarities. The core properties of each image are extracted and translated into alternative forms of representation. Alternative representation of each image includes color and composition studies, reference map, typeface pairing, typographic translations, and essays. Finally, a third image synthesizes each image into a final composition that acts as an alternate conclusion.

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The historical image by Diane Arbus shows clouds on a movie screen at a drive-in theatre in New Jersey. The contemporary image by David Wilson shows a graphic of the Virgin Mary on the back of a semi-truck on a highway in Italy.
Gallery
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	<item>
		<title>Lonesome Geography</title>
				
		<link>https://chandlerabbey.studio/Lonesome-Geography</link>

		<pubDate>Fri, 09 Aug 2019 00:10:05 +0000</pubDate>

		<dc:creator>Chandler Abbey</dc:creator>

		<guid isPermaLink="true">https://chandlerabbey.studio/Lonesome-Geography</guid>

		<description>
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Lonesome Geography
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/64352f26141f1acfb5798b52ce907b0e0bb4926d2a1b34443865bbf76dbd43f6/lonesome-geography-greyscale.gif" data-mid="48239237" border="0"  src="https://freight.cargo.site/w/1000/i/64352f26141f1acfb5798b52ce907b0e0bb4926d2a1b34443865bbf76dbd43f6/lonesome-geography-greyscale.gif" /&#62;

Descr.Lonesome Geography is a visceral publication governed by sense data as opposed to factual data. Structurally the publication is split into four chapters, organized by location. Each chapter explores the relationships between place, emotion, and memory. I chose to examine Oregon, Washington, California, and Colorado as they each relate to my life.

Performance



  




The publication is accompanied by a performance that communicates a fundamental hollowness from the California chapter. I found a secluded area in the Colorado Desert and dug a hole for as long as I could psychologically bear the absurdity of the endeavor. I became paranoid and fled about two hours in. The piece takes sentimental cues from the the early 1900’s American folk song “I Wish I Was A Mole In The Ground.” Perhaps the driving force of the performance can be understood through Greil Marcus’ description of the American folk song:


“Now what the singer wants is obvious, and almost impossible to comprehend. He wants to be delivered from his life and to be changed into a creature insignificant and despised. He wants to see nothing and to be seen by no-one. He wants to destroy the world and to survive it. That’s all he wants. The performance is quiet, steady, and the quiet lets you in … You can imagine what it would be like to want what the singer wants. It is an almost impossible negation, at the edge of pure nihilism, a demand to prove that the world is nothing, a demand to be next to nothing and yet it is comforting.”
Gallery


&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/c2dcb2b486b32180d79291e5103c18ec77e9caa4b1771915c3aadacc49bb56cd/lonesome-geography-gallery-001.jpg" data-mid="48238853" border="0"  src="https://freight.cargo.site/w/1000/i/c2dcb2b486b32180d79291e5103c18ec77e9caa4b1771915c3aadacc49bb56cd/lonesome-geography-gallery-001.jpg" /&#62;
&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/aaf3c3c4263c6a0567cba5f07f9d997bc994b9b76b733ef7adbefdb4ee8c34d1/lonesome-geography-gallery-002.jpg" data-mid="48238854" border="0"  src="https://freight.cargo.site/w/1000/i/aaf3c3c4263c6a0567cba5f07f9d997bc994b9b76b733ef7adbefdb4ee8c34d1/lonesome-geography-gallery-002.jpg" /&#62;
&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/d6daf82c821225cd305f27a3b1c59d32671722a25bac956ccd26b49ee2b96b75/lonesome-geography-gallery-003.jpg" data-mid="48238855" border="0"  src="https://freight.cargo.site/w/1000/i/d6daf82c821225cd305f27a3b1c59d32671722a25bac956ccd26b49ee2b96b75/lonesome-geography-gallery-003.jpg" /&#62;
&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/c946436c39e77591ebb57e3ad43e74cfffff8b4e27f2efdbb5a6eee3e9b1ca92/lonesome-geography-gallery-004.jpg" data-mid="48238856" border="0"  src="https://freight.cargo.site/w/1000/i/c946436c39e77591ebb57e3ad43e74cfffff8b4e27f2efdbb5a6eee3e9b1ca92/lonesome-geography-gallery-004.jpg" /&#62;
&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/d99b600212803c9242bba9630af3397de5f939ee37dd1a898eddac492b335234/lonesome-geography-gallery-005.jpg" data-mid="48238857" border="0"  src="https://freight.cargo.site/w/1000/i/d99b600212803c9242bba9630af3397de5f939ee37dd1a898eddac492b335234/lonesome-geography-gallery-005.jpg" /&#62;
&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/56f26b079a8a772854ebf7b33e1aa9fca480e6b9a8e3cd7491dfbceae814c125/lonesome-geography-gallery-006.jpg" data-mid="48238858" border="0"  src="https://freight.cargo.site/w/1000/i/56f26b079a8a772854ebf7b33e1aa9fca480e6b9a8e3cd7491dfbceae814c125/lonesome-geography-gallery-006.jpg" /&#62;

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	<item>
		<title>Sonic Elixirs</title>
				
		<link>https://chandlerabbey.studio/Sonic-Elixirs</link>

		<pubDate>Mon, 31 Aug 2020 22:33:22 +0000</pubDate>

		<dc:creator>Chandler Abbey</dc:creator>

		<guid isPermaLink="true">https://chandlerabbey.studio/Sonic-Elixirs</guid>

		<description>
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Sonic Elixirs &#38;nbsp;



  





Info

Art and Digital Asset Package for Sonic Elixirs’ recent single, Portrait of Yesterday.&#38;nbsp;View Assets in Use.


Single Art



&#60;img width="1800" height="1800" width_o="1800" height_o="1800" data-src="https://freight.cargo.site/t/original/i/1f9fbcfa9a38be3229cce8035d6f2dbf8a0c2a26ecb822c47a8ce749d3ca3a7b/Sonic-Elixirs_single-art-2-june2020.jpg" data-mid="81644348" border="0"  src="https://freight.cargo.site/w/1000/i/1f9fbcfa9a38be3229cce8035d6f2dbf8a0c2a26ecb822c47a8ce749d3ca3a7b/Sonic-Elixirs_single-art-2-june2020.jpg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b0e83ea1c17330eb6a4c71d0ce110de5dc7f99ad7c028308640115cae00d3b2b/BACK-COVER-UPDATE_sonic-elixirs-POY.jpg" data-mid="81452414" border="0"  src="https://freight.cargo.site/w/1000/i/b0e83ea1c17330eb6a4c71d0ce110de5dc7f99ad7c028308640115cae00d3b2b/BACK-COVER-UPDATE_sonic-elixirs-POY.jpg" /&#62;


Other Collateral





&#60;img width="1800" height="1800" width_o="1800" height_o="1800" data-src="https://freight.cargo.site/t/original/i/b8855f9051452f37ff4879a4bc7273e55edd341a73310f6ebdc890aa22d90516/sonic-elixirs-POY_release-post-6-sticker.jpg" data-mid="81643876" border="0"  src="https://freight.cargo.site/w/1000/i/b8855f9051452f37ff4879a4bc7273e55edd341a73310f6ebdc890aa22d90516/sonic-elixirs-POY_release-post-6-sticker.jpg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/311368ad44f8959fcaac0ba3724bc359119b784091bbda6ff6ef71e8c4f6d779/sonic-elixirs-POY_release-post-3_credit.jpg" data-mid="81452758" border="0"  src="https://freight.cargo.site/w/1000/i/311368ad44f8959fcaac0ba3724bc359119b784091bbda6ff6ef71e8c4f6d779/sonic-elixirs-POY_release-post-3_credit.jpg" /&#62;


Instagram Stories



&#60;img width="1125" height="2000" width_o="1125" height_o="2000" data-src="https://freight.cargo.site/t/original/i/3a1d61dce408d71e1c58b160cb86496cc912091e6f0ad72f39001ef6219e1b66/sonic-elixirs-POY_story-basic-1.jpg" data-mid="81452771" border="0"  src="https://freight.cargo.site/w/1000/i/3a1d61dce408d71e1c58b160cb86496cc912091e6f0ad72f39001ef6219e1b66/sonic-elixirs-POY_story-basic-1.jpg" /&#62;
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&#60;img width="1125" height="2000" width_o="1125" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d9443723dbd32640badb9221b52896b3b54851513da8fecfb2381e0c44bbc988/sonic-elixirs-POY_story-basic-2.jpg" data-mid="81452773" border="0"  src="https://freight.cargo.site/w/1000/i/d9443723dbd32640badb9221b52896b3b54851513da8fecfb2381e0c44bbc988/sonic-elixirs-POY_story-basic-2.jpg" /&#62;
&#60;img width="1125" height="2000" width_o="1125" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b4bad26a4b81c902a2c50529e520493c8aa0895a8e813096f6aa559cf6f87f49/sonic-elixirs-POY_story-basic-3.jpg" data-mid="81452774" border="0"  src="https://freight.cargo.site/w/1000/i/b4bad26a4b81c902a2c50529e520493c8aa0895a8e813096f6aa559cf6f87f49/sonic-elixirs-POY_story-basic-3.jpg" /&#62;

Video




  







  







  

</description>
		
	</item>
		
		
	<item>
		<title>Workshop 5001</title>
				
		<link>https://chandlerabbey.studio/Workshop-5001</link>

		<pubDate>Wed, 10 Jul 2019 21:01:16 +0000</pubDate>

		<dc:creator>Chandler Abbey</dc:creator>

		<guid isPermaLink="true">https://chandlerabbey.studio/Workshop-5001</guid>

		<description>
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Workshop 5001™

&#60;img width="1920" height="836" width_o="1920" height_o="836" data-src="https://freight.cargo.site/t/original/i/9e18763016b6bd2665add441e940aa16bb31531251b9b17e3ba89ff50b29b870/new-new-head.jpg" data-mid="46461165" border="0"  src="https://freight.cargo.site/w/1000/i/9e18763016b6bd2665add441e940aa16bb31531251b9b17e3ba89ff50b29b870/new-new-head.jpg" /&#62;




InfoLead Designer: Workshop 5001™ website redesign for Commonwealth Projects.
Descr.
 Workshop 5001™ rebuilds, restores, and maintains modern and vintage sports cars. They’re a boutique shop in Los Angeles ran by ex-Singer employee Marlon Goldberg. I led the website redesign as both a liason and creative.&#38;nbsp;View the Finished Site.
New Site Map
&#60;img width="2550" height="1650" width_o="2550" height_o="1650" data-src="https://freight.cargo.site/t/original/i/f56b573cdfa5643b228cd250e0733635d3cc5b86ac6a02573ac490e776f51f6b/sitemap-2.jpg" data-mid="46377785" border="0"  src="https://freight.cargo.site/w/1000/i/f56b573cdfa5643b228cd250e0733635d3cc5b86ac6a02573ac490e776f51f6b/sitemap-2.jpg" /&#62;
&#60;img width="1751" height="11" width_o="1751" height_o="11" data-src="https://freight.cargo.site/t/original/i/98e95f03ebe1b8083215fc6aab77511acb4212f2cd17bf56f97b1ee4672b6cc1/Screen-Shot-2019-08-19-at-12.57.41-PM.png" data-mid="49401754" border="0"  src="https://freight.cargo.site/w/1000/i/98e95f03ebe1b8083215fc6aab77511acb4212f2cd17bf56f97b1ee4672b6cc1/Screen-Shot-2019-08-19-at-12.57.41-PM.png" /&#62;

Process


&#60;img width="2552" height="1432" width_o="2552" height_o="1432" data-src="https://freight.cargo.site/t/original/i/687979594244a26dd1ed5360cc185f95099b1387ebf1a48157fc5adcd5a0b72f/home_about_guides.png" data-mid="46380812" border="0"  src="https://freight.cargo.site/w/1000/i/687979594244a26dd1ed5360cc185f95099b1387ebf1a48157fc5adcd5a0b72f/home_about_guides.png" /&#62;
&#60;img width="5100" height="3300" width_o="5100" height_o="3300" data-src="https://freight.cargo.site/t/original/i/8dd8cac51e585dafa2f83dcd0da2d0957859f1c5f12f35699773cfcdbf675975/workshop5001_websiteReport_Page_09.jpg" data-mid="46380773" border="0"  src="https://freight.cargo.site/w/1000/i/8dd8cac51e585dafa2f83dcd0da2d0957859f1c5f12f35699773cfcdbf675975/workshop5001_websiteReport_Page_09.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9d9fcb3b19c94751bd5a52ddd34f7a6f1f21cbf7e6cc2335519f9cfe40875cb4/creamgrey_workshop.jpg" data-mid="46381005" border="0"  src="https://freight.cargo.site/w/1000/i/9d9fcb3b19c94751bd5a52ddd34f7a6f1f21cbf7e6cc2335519f9cfe40875cb4/creamgrey_workshop.jpg" /&#62;
&#60;img width="2304" height="1296" width_o="2304" height_o="1296" data-src="https://freight.cargo.site/t/original/i/3839dd5e48bb063acf3fa5701e9897c48fd6c0f1105f0f1e5d31cb7ed11e302e/Scrapbook_land-2.jpg" data-mid="46380998" border="0"  src="https://freight.cargo.site/w/1000/i/3839dd5e48bb063acf3fa5701e9897c48fd6c0f1105f0f1e5d31cb7ed11e302e/Scrapbook_land-2.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>USC Architecture</title>
				
		<link>https://chandlerabbey.studio/USC-Architecture</link>

		<pubDate>Thu, 11 Jul 2019 19:58:29 +0000</pubDate>

		<dc:creator>Chandler Abbey</dc:creator>

		<guid isPermaLink="true">https://chandlerabbey.studio/USC-Architecture</guid>

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USC Architecture&#38;nbsp;&#60;img width="1920" height="836" width_o="1920" height_o="836" data-src="https://freight.cargo.site/t/original/i/fa34735c29f286a25850f36d206babc48868484391cbc1ca943e53df2a48d996/Head-left-aligned.jpg" data-mid="46463323" border="0"  src="https://freight.cargo.site/w/1000/i/fa34735c29f286a25850f36d206babc48868484391cbc1ca943e53df2a48d996/Head-left-aligned.jpg" /&#62;
InfoProduction Designer: USC School of Architeture Rebrand for Commonwealth Projects.

Descr.I worked as an integral member of a small team dedicated to a complete rebrand of the USC School of Architecture. We employed an agile methodology to manage the project. As a designer with many roles, I worked closely with the producer, development team, strategist, and creative director. The final delivery for the rebrand included a brand book, recruitment collateral, a responsive website, and a custom CMS with a comprehensive user guide. I built out a large portion of the 100+ page site and wrote the user guide.&#38;nbsp;View The Finished Site.&#38;nbsp;


“Web Application” CMS User Guide


&#60;img width="8000" height="4350" width_o="8000" height_o="4350" data-src="https://freight.cargo.site/t/original/i/08489564dff31c3b1f72aae83e56896f339e041fd81f0b40efd464eec095ef1c/pagebuilder.jpg" data-mid="46465208" border="0"  src="https://freight.cargo.site/w/1000/i/08489564dff31c3b1f72aae83e56896f339e041fd81f0b40efd464eec095ef1c/pagebuilder.jpg" /&#62;
&#60;img width="1751" height="11" width_o="1751" height_o="11" data-src="https://freight.cargo.site/t/original/i/0645768ee5a8360289059db45e9371c1715d915dc497ff849ae119ab2833aa9b/Screen-Shot-2019-08-19-at-12.57.41-PM.png" data-mid="49401933" border="0"  src="https://freight.cargo.site/w/1000/i/0645768ee5a8360289059db45e9371c1715d915dc497ff849ae119ab2833aa9b/Screen-Shot-2019-08-19-at-12.57.41-PM.png" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Logos News</title>
				
		<link>https://chandlerabbey.studio/Logos-News</link>

		<pubDate>Fri, 12 Jul 2019 20:09:17 +0000</pubDate>

		<dc:creator>Chandler Abbey</dc:creator>

		<guid isPermaLink="true">https://chandlerabbey.studio/Logos-News</guid>

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Logos News&#60;img width="1920" height="836" width_o="1920" height_o="836" data-src="https://freight.cargo.site/t/original/i/a0f30fffe27bac78a2d7253044e79ec97c8e5af791586168e1c2381ac759171e/HEAD-PAGE.jpg" data-mid="46533358" border="0"  src="https://freight.cargo.site/w/1000/i/a0f30fffe27bac78a2d7253044e79ec97c8e5af791586168e1c2381ac759171e/HEAD-PAGE.jpg" /&#62;

Info
Consultant: Logos News Descr.&#38;nbsp;In the company’s early stages I consulted on various aesthetic and experiential aspects of the promising news app. Consulting areas included brand identity, app design, product features, and user experience and interface.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

“Logos is a decentralized news platform for the new age of digital media. We’re here to disrupt the state of journalism by ensuring credibility, diversity, and meaningful engagement in your news consumption experience.Our app establishes a unique reputation system amongst users by allowing profiles to be endorsed for certain subjects that the community thinks the user has an authority to speak about. In addition, we allow users to vote on the political bias of articles they read.”&#38;nbsp;
Copyright © 2019 Logos News LLC. All Rights Reserved&#38;nbsp;Visit the Site/Download the App



&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/f710e25dea4ebf33f626bd68a03d98d0cb9348c8f8a17571df147b33dd6f7328/logos.jpg" data-mid="46532651" border="0"  src="https://freight.cargo.site/w/1000/i/f710e25dea4ebf33f626bd68a03d98d0cb9348c8f8a17571df147b33dd6f7328/logos.jpg" /&#62;
&#60;img width="1751" height="11" width_o="1751" height_o="11" data-src="https://freight.cargo.site/t/original/i/edb20fe4cedeef439546947c6a6964c9b8c0966ec04fa9de082af65e56482f4d/Screen-Shot-2019-08-19-at-12.57.41-PM.png" data-mid="49402239" border="0"  src="https://freight.cargo.site/w/1000/i/edb20fe4cedeef439546947c6a6964c9b8c0966ec04fa9de082af65e56482f4d/Screen-Shot-2019-08-19-at-12.57.41-PM.png" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Selected Photography</title>
				
		<link>https://chandlerabbey.studio/Selected-Photography</link>

		<pubDate>Fri, 09 Aug 2019 22:38:30 +0000</pubDate>

		<dc:creator>Chandler Abbey</dc:creator>

		<guid isPermaLink="true">https://chandlerabbey.studio/Selected-Photography</guid>

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Selected Photographyclick for full screen&#38;nbsp;

&#60;img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/57750dde57fa27394dc298cb89a8b18e925de371b88b85817657737ebcf131a8/50250019-edit-copy.jpg" data-mid="129122791" border="0"  src="https://freight.cargo.site/w/1000/i/57750dde57fa27394dc298cb89a8b18e925de371b88b85817657737ebcf131a8/50250019-edit-copy.jpg" /&#62;
&#60;img width="1467" height="2200" width_o="1467" height_o="2200" data-src="https://freight.cargo.site/t/original/i/c6da2a0f2353d1fc4436fd26c04775ee39a7bf4acfa6b5fd4256af79937b101f/_DSC0810.jpg" data-mid="158525191" border="0"  src="https://freight.cargo.site/w/1000/i/c6da2a0f2353d1fc4436fd26c04775ee39a7bf4acfa6b5fd4256af79937b101f/_DSC0810.jpg" /&#62;
&#60;img width="2348" height="2935" width_o="2348" height_o="2935" data-src="https://freight.cargo.site/t/original/i/9a4dd38e35a55309989398916bfe93824dc0e56cba39dec36df0ac183d95baf6/_DSC9974-surf-stone-evening-AUG-copy.jpg" data-mid="158524610" border="0"  src="https://freight.cargo.site/w/1000/i/9a4dd38e35a55309989398916bfe93824dc0e56cba39dec36df0ac183d95baf6/_DSC9974-surf-stone-evening-AUG-copy.jpg" /&#62;
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	<item>
		<title>Autobodies</title>
				
		<link>https://chandlerabbey.studio/Autobodies</link>

		<pubDate>Fri, 16 Aug 2019 18:01:43 +0000</pubDate>

		<dc:creator>Chandler Abbey</dc:creator>

		<guid isPermaLink="true">https://chandlerabbey.studio/Autobodies</guid>

		<description>
.margin-fix {
 margin-right: 12%; 
} 


 Autobodies and Other Human Factors
Descr.“A one night art experience that explores the collective mythology and culture of driving in LA.  Autobodies draws meaning out of the faceless dance of a merge in rush hour, the muted violence of swiping a parking spot, and the meditation of a long road trip.   

Autobodies features works by Miller Klitsner, Theo Triantafyllidis, Keith Allyn Spencer. , Isla Hansen, Tucker Marder, Jonathan Fletcher Moore, Kristin McWharter, Jack Turpin, Eric Fanghanel, Tuang T and Joaquin Barlow.

Collectively their work has been written about by Artillery, Neural.It and Artforum magazines; exhibited at Prix Ars Electronica, The Venice Bienalle, Walt-Disney Concert Hall, The Hammer Museum, Galeria De Arte Mexicano, Columbus Museum of Art, MoCA Cleveland, 2017 Athens Biennale, NWRW Forum in Dusseldorf, Sargent’s Daughters, and Young Projects. They are recipients of generous support from the Robert Rauschenberg Foundation, The Studio for Creative Inquiry and the Janet &#38;amp; Walter Sondheim Artscape award.”&#38;nbsp;via https://openplancollective.com/Autobodies&#38;nbsp;FEBRUARY 23, 2019, 6-10PM 
I photographed the event.

Gallery

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